Margaret Jenkins teaches at Stepping Stones Primary and has done for seventeen years. She is a Hope’s End native — grew up in the village, left for teacher training in Sheffield, came back because the job came up and she was, at twenty-four, not yet ready to admit she had left for reasons she could not fully articulate. She has been here ever since. She knows every family in the village going back two generations. She knows which children are cruel by nature and which are cruel by instruction. The distinction matters to her and she applies it consistently. Michael Lawson falls into the second category, which makes her job harder and her patience thinner.
Her voice, when she wants it to, cracks the air. This is her primary classroom-management tool and it works at range. At the bike shed in Chapter One: Quiet, she arrives at pace, takes in the scene — Robert Knight standing, Michael Lawson on the ground, the tooth on the gravel — and turns on Michael and Kevin Sharp with the verdict she has been delivering for two years: It is always the two of you. She is, on the matter of those two, entirely correct.
What she is not expecting is Daniel Marsden stepping into her line of sight and claiming involvement. She weighs the lie — and she knows immediately that it is a lie, because she has known Daniel for two years and he is not a boy who fights — against the blood on the ground, and makes a decision. Then you can explain yourself, too. She sends them to Mrs Davison. This is the correct procedure. The correct procedure, in this instance, takes the two boys she most wants to keep an eye on out of her sight entirely.