Peter Binsfeld was a sixteenth-century German theologian and demonologist, auxiliary Bishop of Trier, whose 1589 work Tractatus de confessionibus maleficorum et sagarum established what became known as Binsfeld's Classification — an assignment of a specific demon to each of the Seven Deadly Sins. The classification appears in Declan Marsden's research files and in Daniel Marsden's late-night reading of his father's documentation as a typewritten sheet headed simply BINSFELD — impassive as cold glass.
Daniel does not know what it means at first. It sounds German, maybe. Or made-up. But someone typed it like it was important, like it was a name everyone should know. The note beside the seven sins listed below the name is in pen, denting the paper: Not metaphor. Not morality. Taxonomy. This single correction is the hinge of the saga's demonological framework: the Seven are not allegorical. They are an operational fact. Binsfeld's classification is not theology. It is a directory.